The illustration for quatrain 9 really properly illustrates just the third line, 'Let Rustam lay about him as he will', rather than interprets the sense of the quatrain as a whole but it gave me the opportunity to depict the Persian hero, Rustam, from an episode of the Shahnameh in which he fights the dragon. I felt that it might serve for the metaphorical 'bird of time' of the quatrain. In some variations of its legends, it is said, like the phoenix, to consume itself in flames and rise again. In quatrain 7 is my depiction of the Huma bird, a creature of fortune who bestows kingship and flies without ever coming to rest. Quatrains 7 and 9 were where I did a bit of informed 'cheating' and drew on Persian mythology in creating the illustrations. There are some production details such as the actual binding and the decorative borders which are best seen on/in the book itself, and as soon as I have my copies, I will photograph those.Ī few notes regarding some of the illustrations: I still don't have my copies of the book yet (I was still signing and numbering the last of the etchings last week). I personally think that a number of these are among my best work so far. Please be advised that this is an image-intensive post, and there's a considerable deal of text, too. HimmapaanAs promised, here are all my illustrations for the Rubáiyát.
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This part of the plot is secondary for a good long while, although Viktor and the Viking both of whom seem like they are serious bad guys off-page end up doing a lot of good-guy helping out. The three new additions are all entertaining characters as well Mike is a tv host (Joyce has a bit of a crush at one point) who wants justice for a colleague presumed murdered (that’s the club’s current mystery), and the Viking (who’s actually Swedish) has a vendetta against an old frenemy of Elizabeth’s and uses threats against other members of the gang to try to force Elizabeth to murder Viktor (former bigshot KGB). Donna doesn’t get as much investigating but her connection with Bogdan is really cute and even though he’s got some secrets himself and that bothers me a bit, they’re fun to see together. IT’s the secret-keeping that bugs me a little because some of that could really matter to other members of the group Connie’s secret at least makes some sense because she might like Ibrahim, but she’s also an admitted killer and drug-dealer who has managed to do pretty well for herself in prison. I’ve also noticed there seems to be this emphasis on a lower level bad guy/gal turning good, or at least helpful. Same general gang but it seems like most everyone who was single in book 1 is pairing off in book 3, and nearly everyone has some big secret they don’t tell the others. I missed episode two of the Thursday Murder Club, but I don’t think it caused me too much issue with following The Bullet That Missed (book 3).
Expressive potato faces make the action and emotions clear. Text in a smaller typeface alternates with graphic panels, keeping the action moving. The text, primarily boastful speech-bubble banter between Rot and Snot, also contains songs, cheers from an enthusiastic worm, and fun wordplay, including alliterative places names like Barrel Bottom Bog and the Moldy Mounds. That’s when the plot twists and twists again. When Rot and Snot are laughed out, Tot is still giggling. Rot declares he’s laughing so hard that he needs to pee his pants but then remembers he doesn’t wear pants. No one wins, and the third contest is a laugh-off. The second contest is Hot Potato Hill, where the brothers must roll down a hill after Tot. The first challenge, a potato sack race with shades of “The Tortoise and the Hare,” ends in a tie. Tot, their “usually super chipper” little sister, acts as the judge. It’s goofy-looking Rot Poe Tater, with an awesome unibrow and “surprisingly sturdy stick legs,” versus big brother Snot, a sleepy, upset couch potato with bedhead. One grumbly day, two mutant tater brothers vie to determine who is the greatest in the world. #3 The hand of God to rescue believers is minimized, the hand of man to solve spiritual battles is maximized. #2 Declaring Christ, martyrdom, and baptism are minimized/non-existent - while working for and supporting the Anti-christ are applauded. The examples of Stephen, Paul, and others show that we should be willing to die before we deny Christ in the name of safety (Dan 3, John 10:25-26, etc). Yet, Christ says that those who deny Him before men, He will deny before the father (Matt 10:32-33). At one point, a character even swears that he serves the supreme pontentate (antichrist), using the excuse that the wording was not 'specific enough'. #1 Frequently in the series, supposed believers outwardly serve the AntiChrist, even deny Christ and take the mark of the Beast - yet the book upholds this as a 'good thing' and holds that these people are still saved, because they are just 'secret Christians' (As opposed to Rev 14:8-10). As such, as entertainment it should be read with caution, and definitely not as sound doctrine. However, the 'Left Behind' series errs and distorts more than most. Jennifer Rothnie Supporter Housewife, Artist, Perpetually Curious Any 'Christian fiction' book or series will contain errors, as man is fallible. Almost every character's path, and certainly that of my main character, Catherine, in some way deals with these concepts.įor love and loss, there is that famous quote from Lord Tennyson: “Tis better to have loved and lost than never to have loved at all.” It is a statement that I think many of us accept easily, without giving much serious consideration. When I did finally stop to ponder the themes that had risen up through the story of Heartless , in which I attempt to tell the origin story of Alice in Wonderland's Queen of Hearts, two themes became apparent: the relationship between love and loss, and the question of destiny. But of course, you also want the story to resonate with readers on a deeper level, too, if at all possible, and that tends to be the work of the themes that are woven in between all that kissing and monster-slaying. My goal is to tell a story that will enthrall and entertain the reader first and foremost. Sometimes I don't stop to give serious consideration to the themes -the message, the moral, the underlying meaning- until I'm nearly done revising the work. Certainly it never comes into my thoughts in the first draft, and rarely even the second. As a writer, I rarely stop to think about the themes in my books until well into the writing process. Published in the medical journal Prescriber, doctors from the U.S., France, the UK and Ireland have not only concluded that millions are being “overmedicated” with these drugs but also cast doubt on the whole idea that lowering so-called “bad cholesterol” (LDL), will prevent heart disease in the first place. And it’s urgent that we pull the emergency brake where these drugs are concerned. They’re saying that we’ve been misled for a very long time. Well, for one thing, over the years Big Pharma has attempted to dazzle us with lots of data (often pulled out of a hat) and phrases like “overwhelming body of evidence,” “well-proven” and “long-term safety.”īut a brave, international group of doctors is hoping to bust the statin myth once and for all. How did statins become so ingrained in health care that speaking out against them is practically heresy? People have actually been convinced that statins save lives!īut now, a group of world-renowned experts are saying that not only are statin side effects more serious than we’ve been told, but the entire ploy has misled millions into popping these risky drugs for no good reason at all. The idea that statins are perfectly safe to take is similar to the theory that the earth is flat.įor decades, Big Pharma and the mainstream have played so many cheap tricks on patients to keep the statins flowing that I’ve lost count. Jacobsen's 2014 book, Operation Paperclip: The Secret Intelligence Program That Brought Nazi Scientists to America was called "perhaps the most comprehensive, up-to-date narrative available to the general public" in a review by Jay Watkins of the CIA's Center for the Study of Intelligence. Area 51 was being developed into an AMC Series with Gale Anne Hurd as executive producer but is no longer. It was on The New York Times Best Seller list for thirteen weeks and has been translated into six languages. Her 2011 book, Area 51: An Uncensored History of America's Top Secret Military Base, addresses the Roswell UFO incident. Jacobsen is best known as the author of the 2011 non-fiction book, Area 51: An Uncensored History of America's Top Secret Military Base, which The New York Times called "cauldron-stirring." She is an internationally acclaimed and sometimes controversial author who, according to one critic, writes sensational books by addressing popular conspiracies. Jacobsen writes about war, weapons, security, and secrets. She was a contributing editor to the Los Angeles Times Magazine from 2009 until 2012. She writes and produces television including Tom Clancy's Jack Ryan for Amazon Studios, and Clarice for CBS. American investigative journalist and authorĪnnie Jacobsen (born June 28, 1967) is an American investigative journalist, author, and a 2016 Pulitzer Prize finalist. In 2004, Funke sold the film rights to all three books to New Line Cinema thus far, the first book has been made into a motion picture, which was released in December 2008. Originally released in German-speaking Europe, the English translation of the third book, entitled Inkdeath, by Anthea Bell was released in October 2008. Mostly set in Northern Italy and the parallel world of the fictional Inkheart book, the central story arc concerns the magic of books, their characters and creatures, and the art of reading. The books chronicle the adventures of teen Meggie Folchart whose life changes dramatically when she realizes that she and her father, a bookbinder named Mo, have the unusual ability to bring characters from books into the real world when reading aloud. The Inkheart series is a succession of four fantasy novels written by German author Cornelia Funke, comprising Inkheart (2003), Inkspell (2005), Inkdeath (2007), and The Colour of Revenge (2023). Print ( Hardback & Paperback) and audiobook "I said, 'Holy Father, you need to know you have a cancer in your flock and I hope you will do something for this problem you have to fix this,"' McDaid said. The abuse, he told Benedict, was not only sexual but spiritual. One of the victims, Bernie McDaid, told The Associated Press that he shook the pope's hand, told him he was an altar boy and had been abused by a priest in the sacristy of his parish. Each spoke privately with the pope and the whole group prayed together. The group from O'Malley's archdiocese were all adults, men and women, who had been molested when they were minors. Federico Lombardi, a papal spokesman, said that Benedict and Boston Cardinal Sean O'Malley met with a group of five or six abuse victims for about 25 minutes, offering them encouragement and hope. |